Sometimes you don’t want gritty realism or prestige TV sometimes you just want something smart, silly, and ridiculously entertaining. It’s pretty impossible to create anything truly original in the packed murder/police crime drama genre, and High Potential doesn’t try to reinvent the wheel. Instead, it relies on strong performances, a tight script, and a genuine sense…
Series 15 of this guilty pleasure has landed and its popularity is as strong as ever with its mix of murder, sunny beaches and long-running story arcs intersecting with new characters and plot lines. The police department on the fictional Caribbean island of Saint Marie have more than their fair share of suspicious deaths blotting…
Fresh off the global success of Netflix’s His and Hers, Astrid Rotenberry is stepping into the spotlight with a performance that quietly lingers long after the final twist. The Tennessee-born actor appears as Catherine Kelly, a character intricately tied to the past of Anna played by Tessa Thompson in the gripping murder mystery that has captivated…
It seems that there is at least one Agatha Christie adaptation released every year, either at the cinema, streaming or on terrestrial TV and the popularity of the world famous murder mystery novelist, who died in 1976, shows no sign of waning. “Seven Dials” out now on Netflix does not try and invent the wheel….
“There are at least two sides of every story. Yours and mine, ours and theirs, his and hers, which means that someone is always lying … People might recognise my face; they maybe even know my name, but they will never know who I am.” That idea becomes the backbone of His and Hers, a thriller…
I loved this show, which is why the overwhelmingly harsh critical response feels so baffling. Big newspapers and TV review shows really need to broaden their horizons. Nearly every review I’ve read has given Lynley a poor rating, and while critics are free to disagree, some of the reasoning feels unnecessarily severe. I also didn’t realise until…
Run Away is a slow burner and honestly, it needs to be. This isn’t the kind of story you rush, because every layer is there for a reason. At the centre of it all is Simon Greene (James Nesbitt), a successful, devoted husband and father of three whose solid, comfortable life starts to unravel when his…
The Death in Paradise Christmas special once again delivers a polished and reassuring piece of festive television. Rather than attempting to reinvent itself, the series leans into what it does best: a gentle murder mystery, strong ensemble chemistry, and a tone that prioritises warmth and accessibility. The episode also demonstrates how effectively the franchise now operates as…
I’ve got a really good feeling about 2026. And that’s saying something, because 2025 has been unbelievable one of those rare years where TV genuinely felt exciting again. Big titles landed, smaller shows broke through, and people actually talked about what they were watching. What’s surprised me most is that it doesn’t feel like it’s slowing down. If anything,…
The first Knives Out movie was a perfect example of a murder mystery. The plot was tight, the acting exemplary and it felt like a breath of fresh air when it was released in 2019. Unfortunately, the same can’t be said for the second instalment, 2022’s Glass Onion which was an overblown vanity project with…
