Does having autism make someone more or less likely to become a killer? It’s an uncomfortable question, yet it sits at the heart of this undeniably tragic yet often frustrating documentary. The film never quite knows whether it wants to explore the mystery of a family’s demise or the complexities of neurodivergence, and that tension…
Category: Films
EXCLUSIVE: FROM THE HOBBIT TO PIRATES TO PANTO — ADAM BROWN BRINGS ROBIN HOOD AND MAID MARIAN TO LIFE
In this exclusive interview, actor and writer Adam Brown known to millions as Ori the dwarf in The Hobbit trilogy and for his swashbuckling turn in Pirates of the Caribbean: Dead Men Tell No Tales invites us into the wild, witty world of panto. As Robin Hood and Maid Marian prepares to take over the Corn Exchange from 28 November to…
A LOVE LETTER TO CINEMA : FALLING FOR NOUVELLE VAGUE ALL OVER AGAIN
There’s something instantly charming about a film that begins with its actors sitting in a cinema watching a movie. It pulls you right into its world, like you’ve slipped into the seat beside them. Nouvelle Vague does exactly that, and from the opening scene I knew I was in for something funny, clever, and unexpectedly engaging. A…
“I OWE HIM EVERYTHING”: A REVIEW OF MR BURTON AND THE LEGACY OF RICHARD BURTON
I grew up already knowing about Richard Burton well, Richard Jenkins because my dad adores him. Honestly, he might even be my dad’s favourite actor of all time. So when I watched Mr Burton, I went in with a kind of inherited familiarity. What I didn’t expect was just how moving and brilliantly crafted the film…
LOVE, FEAR, AND THE MESSY MIDDLE: DAN BLICK ON CASTLES AND CREATIVE HONESTLY
In his new play Castles, writer and actor Dan Blick dissects the emotional terrain of a romantic relationship its silences, miscommunications, and quiet resentments. Following his previous works Telos and Lake George, Blick turns his attention to intimacy, exploring how couples can lose themselves while trying to hold on. We caught up with him to talk about creative vulnerability,…
EXCLUSIVE: SIMON CELLAN JONES ON ‘THE FAMILY PLAN 2,’ WORKING WITH MARK WAHLBERG AND KIT HARINGTON, AND KEEPING IT FRESH.
Director Simon Cellan Jones returns with The Family Plan 2, the action-comedy sequel premiering on Apple TV on November 21st. Following the success of the first film, the new chapter sees the family heading to Europe and diving into more chaos, secrets, and high-stakes adventures. We sat down with Simon to talk about the film’s evolution,…
CLUELESS MEETS CHRISTMAS AND IT’S NOT A HIT
I might now officially be one of those people who watch Christmas romance movies in November not by choice, but because curiosity got the better of me. Unfortunately, A Merry Little Ex-Mas didn’t make the experience worth it. You’d think Alicia Silverstone, who nailed comedic timing back in Clueless, and early 2000s heartthrob Oliver Hudson, of Dawson’s Creek fame, would…
ELEGANCE AND EMOTION ON THE UPPER EAST SIDE: AN EXCLUSIVE CONVERSATION WITH GABBY DELLAL’S PARK AVENUE
We sat down with filmmaker Gabby Dellal to talk about her new film, Park Avenue a story of mothers, daughters, and the secret lives behind Manhattan’s grandest façades. Gabby spoke with her usual wit and honesty about what drew her to the Upper East Side, how costume became character, and why Park Avenue is her cinematic love letter to New…
REVISITING AILEEN WUORNOS: WHEN TRUE CRIME BECOMES SPECTACLE
There are so many true crime stories out there that it’s getting harder to tell which ones are truly worth watching. Some documentaries pull you in immediately, while others feel either too flat or too sensationalised. Aileen: Queen of Serial Killers tries to strike a balance exploring the life and crimes of Aileen Wuornos, one of…
WHY “SAVING MR. BANKS” IS ONE OF DISNEY’S MOST EMOTIONAL AND UNDERRATED FILMS
Some films grab your attention from the first frame, and others quietly sneak into your heart Saving Mr. Banks does both. It’s one of those rare gems that feels comforting and heartbreaking all at once. Every time I watch it, I end up crying not because it’s tragic, but because it’s so beautifully human. It reminds…










